Hi! I'm Owen Kent Ing, a performer/ storyteller based in NY and LA
As an eclectic soul, my interests are vast and varied and often develop into small (or big) obsessions, including but not limited to: cats, world mythology, Dungeons & Dragons, social justice, and, of course, theatre. And, as a queer Asian-American artist, I am most passionate about telling the stories of intersectional people and creating a safer, more inclusive community to tell those stories in.
Beyond that, the eclecticism is at the heart of my work. As someone born into a very musical family, I have dipped my toe into just about everything, from musical theatre to choral/classical voice to Shakespeare to gymnastics to modern and commercial dance, and loved it all. A true triple threat, my versatility and adaptability are my best friends, helping me bring myself to every project while still making sure the story is told, because after all, thats what a storyteller does.
Owen Ing is represented by Jim Harwood of HR Artists Management.
Headshot/Resume
The News
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I’m going on TOUR!!! Catch me on the road with the Mean Girls National Tour, dancing in the Ensemble or stepping in as Aaron or Kevin
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This Summer, I was Helena in the New York production of Theatre Rhinoceros’s All’s Well That Ends Well
Also over the summer, I sang Billy Joel’s “New York State of Mind” at the Summer in the City Cabaret @ The Green Room 42
Last January, I was featured in “Musical Theatre Goes Folk/Rock” at 54 Below, singing a Toto-inspired version of “Mr. Mistofolees” with Sunayna Smith! (arrangement by Ben Sellers)
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In Spring ‘23, I got to play Angel in RENT at Connecticut Repertory Theatre, led by director Nate Bertone and choreographer Brandon Kelly
In Winter ‘22, I was a part of a production of White Christmas at Oregon Cabaret Theatre in Ashland, OR, which was put on in collaboration with the Oregon Shakespeare Festival. The following Summer, I returned to Ashland to be one of Lola’s Angels in Kinky Boots at OCT
I spent some time developing new works, playing Xaver in the first showing of Emil & Xaver: A New Musical at Columbia University, Toby in a reading of Abby Payne’s The Gunfighter Meets His Match at the 2022 Goodspeed Festival of New Musicals, and worjking with Eric William Morris on an adaptation of Marty Stuart’s The Pilgrim
While in school, I played Musidorus in Head Over Heels (directed/ choreographed by Mayte Natalio), and Kiki/Ensemble in Legally Blonde (directed by Michael Fling, choreographed by Nathan Fister)
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